A few weeks ago we read Lupton’s Thinking with Type.  Which is a fascinating book about how to use different fonts.  We used the theories that were discussed in Lupton to help us design our own  typeface.   Only a few days after I had finished the rough draft of my font I came a crossed an article on Yahoo that gave me a little more insight into typography.  (I’m am not sure if “rough draft” is the right phrase to use in this situation but I think that my meaning is clear.) 

The article was titled “Typeface Inspired by Comic Books Has Become a Font of Ill Will” by Emily Steel.  It discusses the controversy over the continued use of Vincent Connare’s font Comic Sans.  The font originated fifteen years ago as a software project at Microsoft.  Since then it has spread to “grade-school fliers, holiday newsletters, Disney ads, Beanie Baby tags, business emails, street signs, Bibles, porn sites, gravestones and hospital posters about bowel cancer”.

Unbeknownst to me the font has caused quite a commotion with graphic designers and other aesthetes.  I saw the font as simply cute and childlike fine for a five year olds’ birthday invitations but inappropriate for much else. However, it has caused so much controversy that many want it banned. There are numerous websites devoted to just that.  At such sites, you can even purchase anti Comic Sans apparel, bumper stickers, coffee mugs, etc. 

The Ban Comic Sans movement’s manifesto explains that they “believe in the sanctity of typography and that the traditions and established standards of this craft should be upheld throughout all time... Type is a voice; it’s very qualities and characteristics communicate to readers a meaning beyond mere syntax.

In fact after reading their position I was a little upset that I had attempted to create my own font because I might be considered one of the “uneducated [who now] have opportunities to desecrate this art form; therefore, destroying the historical integrity of typography”.  I am sure that they were not referring to students completing assignments however, their language was a little intimidating. 

However the site make several good points many of which were discussed in Lupton.  One was that like the “tone of a spoken voice, the characteristics of a typeface convey meaning.  The design of the typeface is, in itself, its voice. Often this voice speaks louder than the text itself”.  Therefore using Comic Sans for much of anything outside of a comic book is “analogous to showing up for a black tie event in a clown costume”.

 

When asked about the attention given to the font Mr. Connare said.  "If you love it, you don't know much about typography….if you hate it, you really don't know much about typography, either, and you should get another hobby."